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Participation: 100%
Unique Durations: 1-3
Unique Notes: 11 - 15
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Handel
Händel - Largo: "Ombra Mai Fu", for Flute and Cello
Hyeon Kim
2:36 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
Cello Bass 17 0 2 8 98%
Flute Treble 13 0 2 8 58%
 
HWV8A1N3 - "Ah! Infelice mia patria," Act 1
edward.maurath
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
Amarilli 13 0 5 3 100%
Violoncello Bass 11 0 5 3 100%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
Sarabande
Suurmestari
0:47 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 14 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 14 3 3 100%
Bass 12 1 0 3 100%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
Gavotte in C Major
Pringle Abilla
0:24 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 4 100%
Bass 11 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 4 100%
Bass 11 0 0 3 100%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV1N17vEJM - "Nein, Osman muß, was er versprochen"
edward.maurath
0:17 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Harpsichord Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Organo Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Consalvo Bass 12 0 2 4 100%
Continuo Bass 6 0 2 2 100%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%